By Michael McNulty Ousmane Sembene began his career as a story teller in literature, writing a number of successful novels which were published in France. After Senegal gained its independence from France in 1960, Sembene turned his attention to filmmaking and recognizing the universality of the moving image he travelled to Moscow where he studied filmmaking at Gorky Studios. A year later he returned to Senegal and began his filmmaking career, developing into one of Africa’s most prominent and important...
By Wyndham Hacket Pain It may seem unfair to compare every new racing documentary to Asif Kapadia’s Senna, but since its 2011 release there have been a number of films that have covered the sport. Rush, Lauda: The Untold Story, 1, and Senna vs Brundle have all to a certain degree tried to recapture both the heart-pounding thrills and emotion of Kapadia’s film. The latest Formula One documentary Williams does cover a similar subject area but instead focuses on a...
By Michael McNulty Gareth Tunley’s debut feature, The Ghoul, is a brooding, atmospheric psychological thriller. Blending a dreamlike, occult narrative with suburban noir, Tunely, a Ben Wheatley regular, has made a film that feels part Kill List, with a smattering of Taxi Driver and a Lynch-ian twist. Chris (Tom Meeten), a homicide detective, is called down to London to investigate a mysterious double murder. The two killed are said, by forensic experts, to have continued to approach their killer after...
By Wyndham Hacket Pain Maud Lewis remains one of Canada’s best known folk artists. Despite suffering from rheumatoid arthritis that restricted her movement she still managed to produce her much loved paintings. At one point her fame grew to the extent that she was featured in magazines and on television, and even sold a painting to the then Vice-President Richard Nixon. Maudie opens in provincial Nova Scotia during the 1930s, where Maud Dowley (Sally Hawkins) is frustrated at the lack of...
By Wyndham Hacket Pain Stories about the Second World War are so ingrained in our minds and daily practice that it can seem as if there is nothing to add to the discourse of this period. As a result, it is always a pleasure for a story to separate itself from the pantheon of films, books, and tales that have tried to cover the period before and perhaps even more exciting when someone tries to challenge the preconceptions we have about...
Dunkirk is almost a silent film. Dunkirk is a film that is a master class in the art of ‘show it, don’t say it’. Dunkirk, demands that you feel like you are on the front line with the soldiers. The audience is used as another stranded Tommy on the beach, forming an orderly queue, waiting to be rescued. Dunkirk is an unapologetically British film. There isn’t an ancillary, and unnecessary, tale of love and romance to "cheer up", and degrade...
A group of shady individuals accumulate in an abandoned Boston warehouse to size up and complete an arms deal. However, when some bad blood infiltrates the proceedings, the deal swiftly falls south, and the guns which were going to be used for other nefarious purposes are now being utilised a little earlier than expected. That’s it. Looking for anything else? You’re in the wrong place. Free Fire isn’t a film of complexity. There’s not that much to it. But there’s...
A rare Casablanca poster has sold for a world record $478,000 (£365K). The poster is the only surviving example of an Italian issue advert for the movie and is the most valuable Casablanca poster ever. Measuring 55.5 by 78.25 inches, the 1946 Casablanca Italian 4 Fogli poster beat the world record for the most valuable movie poster ever sold at public auction. It sold on Saturday for a record $478,000 at a public auction of vintage movie posters held by...
There are in truth only a handful of magazines, newspapers and websites that are actually worth one's time on a consistent basis. Naturally I consider The London Economic to be one of them (Flattery will get you everywhere – Ed.) for its over-all consistency of writing, broad range of subjects and a willingness to state a fact-based opinion and stick to it. For much the same reasons I enjoy The New Yorker, The Guardian, and The Times even though I...
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