Film

By Linda Marric Seventy years after India’s partition, Gurinder Chadha delivers one of the most comprehensive looks at what went on during those tumultuous times. Her latest feature film Viceroy’s House is an ambitious undertaking which charters the last days of the British Raj and pays tribute to the millions of people uprooted from their homes or killed in the violent outbreaks that followed. Chadha’s own family was caught in what was to become one of the largest mass migrations...

By Linda Marric @linda_marric Kelly Reichardt’s films are beautifully crafted poetic pieces feature unusual stories about unusual people. By her own admission, her films are “glimpses of people passing through”. Reichardt’s painstakingly long takes and repetitive quotidian scenes are what makes her productions into masterpieces of modern cinema. The Night Moves’ director is back with another understated study of rural America with the critically acclaimed Certain Women. The film, which won Best Film at last year’s London Film Festival is...

La La Land doesn’t deserve the awards, but it does deserve our applause Of his work, Busby Berkeley once said that he just “wanted to make people happy, if only for an hour”. The early 1930s was a time of great societal darkness; the world consumed by financial uncertainty & political discontent. Audiences were hungry for entertainment – they needed an escape – and Berkeley’s elaborately choreographed & unapologetically grand dance numbers, which defined such pre-Code musical classics as Dames,...

By: Michael McNulty It’s Friday night, supper’s finished, the washing ups been done and you’ve settled into the front room. Time for the great debate: what to watch tonight? You’ve exhausted your pre-recorded programmes, there’s nothing tickling your fancy on the TV and all the later screenings at your local cinema started 10 minutes ago. It’s alright there doesn’t need to be a debate, it’s been a long week, relax and enjoy this week’s Forgotten Friday Night Film. Released in...

By Stephen Mayne @finalreel It’s easy to get carried away thinking of films as art, but sometimes it’s just a job. Southern Fury highlights this point, rounding up Nicolas Cage, John Cusack and Adrien Grenier, all of whom can surely only be in this dire thriller for the paycheck. Lacking just about all the ingredients required to make something watchable; Steven C. Miller’s film has to fall back on Cage in a ridiculous wig and fake nose to find any...

By Stephen Mayne @finalreel Tomato red is almost the colour of Jamalee Merridew’s hair, and it’s the name of the Daniel Woodrell novel from which this film is adapted. Woodrell has written nine novels to date, a number of them set in the bleak forgotten lands of the Ozarks; mountainous country crossing over Missouri, Arkansas and Oklahoma. There’s clearly something cinematic about his work because two previous novels became the excellent Ride with the Devil (1999) and Winter’s Bone (2010)....

By Stephen Mayne @finalreel On cursory inspection, the new film from French-Canadian wunderkind Xavier Dolan, the sixth already from a man not due to turn 28 until next month, is a distant proposition. It seems sterile and forbidding, full of stagey artifice, which is not necessarily a surprise given it’s an adaptation of Jean-Luc Lagarce’s play of the same name. And it is all these things, only very deliberately so to achieve an even greater impact. The premise is simple...

By Leslie Byron Pitt I’m sure some will consider me a philistine for my dislike for We Are the Flesh. Some may perhaps consider me a wuss. Indoctrinated on too main mainstream cinema to deal with the more shocking aspects of Emiliano Rocha Minter’s transgressive art film. It’s clear that We Are the Flesh is looking to push boundaries and borders and arouse reaction within a viewer. Even if they are ones of disgust. I, however, found myself bored and...

By Stephen Mayne @finalreel Massimo is a man who should have it all. He lives in a world of elegant apartments and swanky parties before heading out to fashion shows, football games, and war zones, the varied diet that comes with his journalism job. Yet for a man living such an interesting life, he’s not actually lived a single minute of it. Sweet Dreams is a surface deep attempt to show how childhood trauma can destabilise everything that follows. Marco...