Film

By Linda Marric It isn’t often that you come across a factual feature film which is capable of hitting its audiences the way Rahul Jain’s Machines does. The film which offers a look into to the intricacies of modern day labour, not only manages to wake in its viewers a sense of solidarity towards its subjects, but it also manages to ignite feelings of anger and dismay at the dehumanising conditions they have grown accustomed to at the hands of...

By Linda Marric King Arthur: Legend of the Sword or to give it its full name, “lock stock and a whole load of Arthurian cockney nonsense”, is the latest offering from Guy Ritchie. Directed by Ritchie himself and staring Charlie Hunnam, King Arthur is not so much an epic fantasy adventure, but more of a mammoth production of boorish, noisy and not to mention unnecessarily silly going-ons. Despite earlier misgivings, the film opens with a spectacular CGI infused battle which...

By James McAllister “Our system is rotten. It doesn’t reward honest politicians who vote with their conscious; it rewards rats, who are willing to sell out their country to keep their noses in the trough.” Miss Sloane may have been made back in early 2016, when the prospect of a Donald Trump presidency was more an outlandish nightmare than a chilling reality, but some 15 months on, its release could not be timelier. In a new era of ignorance, here...

By Michael McNulty Bronco Bullfrog was the first of only three features directed by Barney Platts-Mills. He was 25 and working with a group of largely non-professional actors, some of whom were sourced from Joan Littlewood’s Theatre Workshop. Produced on a modest budget of £ 18,000, the film featured at Cannes as part of the parallel competitive section, Semaine de la Critique, where it picked up rave reviews. However, its distributors were unsure how to handle the film and it...

By Wyndham Hacket Pain Set in the ‘Vegas of the North’, Away follows Ria (Juno Temple) and Joseph (Timothy Spall) who have both escaped to Blackpool in an attempt to distance themselves from the problems in their lives. Ria is hiding from her abusive boyfriend, while Joseph is trying to cope with the death of his wife, and as the story progresses they form an unlikely friendship. The film is told in a split time frame in a poor attempt...

By Linda Marric Hope Dickson Leach’s brilliant first feature The Levelling is a fantastically accurate and highly authentic look into the flood-battered West-country regions. This beautifully acted film, not only manages to tell a touching story of despair and isolation in rural England, but also succeeds in making a valid social commentary about those who lost so much in the floods a couple of years ago. Last week I had the chance to meet with both Dickinson Leach and the...

By James McAllister Confronting us with the devastating divisions that helped provoke last year’s Brexit vote, here is a shatteringly sombre social-realist drama that moves away from the traditional inner-city environment regularly frequented by the likes of Ken Loach, and rests its focus on rural Somerset’s stark landscape. Set mere months after the winter floods that decimated the Somerset Levels back in early 2014, The Levelling follows Clover (Ellie Kendrick), a trainee vet who returns home to the family farm...

By Wyndham Hacket Pain Looking at the premise of Jawbone you’d be forgiven for sighing and thinking not another boxing film. In the last couple of years alone Bleed for This, Southpaw, Creed, Grudge Match, and Hands of Stone have all been released, with mixed success. Cinema’s love of the sport is evident but means that each subsequent release finds it more difficult be original. It can be hard to know what can be added to the genre when classic...

By Michael McNulty We’ve seen it before in the forms of The Odd Couple, Due Date, Trains, Planes and Automobiles and a million others. An at odds pair with a strong dislike for each other, possibly even hatred, are forced together through circumstance only to slowly come together, become the ying to the others yang and form a long lasting relationship based on friendship and mutual respect. Set against the backdrop of the 2006 St. Andrews Agreement, Nick Hamm’s The...