London Film Festival 2018 – First Look Reviews: Bisbee ’17 and Woman At War

Bisbee ‘17Reality, in any sense wider than the confines of the frame, is something cinema can never truly capture. Even in the purest of non-fiction films, there is a starting and stopping point and the question of how the very presence of a camera alters the reality it observes. Robert Greene is a documentarian who isn’t particularly interested in the purity of reality, rather, with Kate Plays Christine and now with Bisbee ‘17, he likes to look at how replaying...

Film Review: Skate Kitchen

Having made her debut with stranger than fiction doc The Wolfpack, Crystal Moselle appears to have almost literally stumbled on the genesis of her first fiction feature. She ran in to the all girl skateboarding crew Skate Kitchen on the New York subway and, fascinated by them, bought them coffee and began to hang out with them. This led initially to the short film That One Day and eventually to this film; a blend of fact and fiction with the...

Film Review: The Wife

In Björn Runge’s The Wife, Glenn Close offers a truly outstanding performance as the long suffering wife of an insufferably vain novelist (played by Jonathan Pryce). Adapted for the screen by Jane Anderson from Meg Wolitzer’s 2003 novel of the same name, the film is a beautifully understated, thought provoking and deeply affecting study in codependency and deceit, which is only slightly let down by a needlessly stagey style. After nearly forty years of marriage, Joan and Joe Castleman (Close and Pryce) seem very happy...

Film Review: The Gospel According to André

Kate Novack has all the necessary ingredients for a fascinating study of one of the fashion world’s seminal players in her documentary, The Gospel According to André.  Sadly, however, Novack never quite manages to get under the skin of the films titular subject, and the end result leaves little food for thought. The Gospel According to André chronicles the rise of the larger than life, both in character and physical stature, fashion editor André Leon Talley from the segregated south to the fitting rooms and runways...

London Film Festival 2018 – First Look Reviews: Shadow and School’s Out

ShadowZhang Yimou’s three previous martial arts films have been explosions of both colour and action. Whatever else you thought of them, they were retina-searing spectacles of the highest order. Shadow sees Yimou returning to martial arts cinema, but with a very different aesthetic. The story manages to be simple yet convoluted, revolving round the town of Jing, which the kingdom of Pei also claims the right to. The King of Pei (Ryan Zheng) is outraged that his top military commander...

The Mighty Redcar: Showing a different side to people living in post-industrial, pro-Brexit towns…

We spoke to the series director behind The Mighty Redcar about hope, talent and people.   “The stunning seafront, the old Regent Cinema and views along the beach looking across towards the old steelworks really blew me away. That mixture of industry and nature was visually amazing. I knew then, that if we could find enough young people to tell their stories, we’d be on to a winner.”  Picture Shows: Redcar - (C) 72 Films Ltd - Photographer: Daniel Dewsbury Daniel...

Free-to-view film exposes London as money laundering capital of the world

A new free-to-view film has been released exposing how London became the money laundering capital of the world. The Spider’s Web has already racked up half a million views since it was released earlier this month and puts London at the centre of a global web of offshore secrecy jurisdictions which allow rich and powerful players to dodge taxes, to escape regulations, to money-launder, to cheat their creditors, and to engage in a host of corrupt activities with almost total...

Film Review: The House With A Clock In Its Walls

While the prospect of Eli Roth (Cabin Fever, Hostel, Grindhouse) as a kid’s movie director might feel like a strange concept to most, in reality, and as weird as it might sound, it looks like the master of gore and tasteless horror has managed to pull off the impossible in his brand new Amblin produced adventure, The House With A Clock in its Walls. Based on the first volume of a much loved children’s series of books written by John Bellairs and illustrated by...

Film Review: Faces Places

Faces Places has a brilliantly simple premise. The film follows photographer JR and legendary film director Agnès Varda as they travel to small French towns and photograph the people they find there. The photos they take are in turn used to create large murals which are plastered onto nearby buildings. Through doing this JR and Varda speak to members of the local communities and learn about their lives and what makes these places tick. They are able to seek out fellow eccentrics and their conversations can be both bizarre and insightful....

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