A Northern Soul exposes creative scars of austerity in UK’s City of Culture

When George Osborne initiated sweeping austerity cuts in the wake of the financial collapse it soon became apparent that the arts would be the first on the chopping board. Unlike hospitals, policing and defence the creative sectors don’t have the immediacy or even the public sensitivity boasted by their counterparts, and so with relatively little fuss cash spent on museums, libraries, dance and music was taken away. It’s hard to quantify the effect that has had on communities. Where we...

Film Review: The Equalizer 2

In 2014, Antoine Fuqua’s screen adaptation of the popular 1980s series The Equalizer took the box office by storm and went on to break more records by making almost 4 times more than it cost to make, not least thanks to the star power of its lead actor and all around Hollywood nice guy Denzel Washington. Now back for a second outing with the unimaginatively titled Equalizer 2, Fuqua offers up pretty much more of the same action-packed vigilante themed...

Film Review: Christopher Robin

In Christopher Robin, director Marc Forster presents a nostalgia-laden adaptation of A.A Milne’s cherished children’s classic, in a film that is as heartwarming in its intent, as it is a little lacklustre in its delivery. Starring Ewan McGregor as the titular character, the film introduces a clever twist on the original story by offering Christopher as an adult in the midsts of a depressive midlife crisis, attempting to reconnect with his beloved Hundred Acre Wood, where along with his friends...

Film Review: Heathers

When I first saw Heathers I was in hospital. It was, perhaps, an unusual choice; a blackly comic satire about a popular girl (Winona Ryder’s Veronica) who has come to hate the clique she’s a part of (the titular Heathers, played by Kim Walker, Shannen Doherty and Lisanne Falk). Veronica gets roped into murder when her new boyfriend JD (Christian Slater) serves one of the Heathers a ‘hangover cure’ that is actually drain cleaner. The two of them make this,...

Film Review: Under the Tree

A tree sparks a spat between neighbours in Haffstein Gunnar Sigurðsson black comedy Under the Tree. When Atli (Steinþór Hróar Steinþórsson), husband to Agnes (Lára Jóhanna Jónsdóttir) and father of young daughter Asa (Sigrídur Sigurpálsdóttir Scheving), is caught by his wife having a crafty wank early one morning to a video of him and an ex-girlfriend having sex, he is thrown out on the street.  With nowhere to go, but home, Atli heads for his parent’s place where an altogether...

Film Review: Sicilian Ghost Story

Filmmakers have a strange habit of allowing the most horrific events to take place in the most beautiful of surroundings. This is most certainly the case with Sicilian Ghost Story, which is set in the woodlands and lakes that border one of the titular island’s small towns. The film centres around Giuseppe (Gaetano Fernandez), a 13 year old boy, and Luna (Julia Jedlikowska), a spirited girl in his class who has taken a liking to him. Giuseppe is sensitive and...

Film Review: The Escape

Dominic Savage delivers a noble if somewhat tepid character study of a desperate housewife in The Escape. Tara (Gemma Arterton) is a married mother of two.  She lives in the quiet, dull rabbit hutches of suburban London.  It is a lonely existence, and despite her family, she is isolated.  Her husband, Mark (Dominic Cooper), is the self-absorbed breadwinner, a man blind to his partner’s immeasurable unhappiness.  For Tara, life is a cycle of monotonous routine, the school run, the weekly...

Film Review: Hearts Beat Loud

I have no rhythm and I can’t carry a note, let alone a tune, but still, I love music. As much as I love music in and of itself, as something to listen to while I’m writing a review for instance, it’s at gigs that I find myself most transported and engaged by an artist. A great gig is unifying; for the three minutes of THAT song that you and the rest of the crowd have waited for, everyone is...

Film Review: Ant-Man and The Wasp

They say that size doesn’t matter, but that’s unlikely to be of much consolation to the makers of Ant-Man and The Wasp. For having been requisitioned to follow on from the gargantuan critical and commercial success of both Black Panther & Avengers: Infinity War, there’s no denying that, true to the heroes of its title, this 20th instalment in the Marvel Cinematic Universe feels a little, well… diminutive. The story follows on from the events of Captain America: Civil War,...

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