Get Out: Film Review

By Linda Marric @linda_marric Jordan Peele’s Get Out is a smart, socially conscious, funny and genuinely terrifying horror movie. Made by Blumhouse, who were also responsible for the Insidious series, the film has been one of the most eagerly awaited genre movies of the year, on the strength of its trailer alone. Dealing with issues of race in the post-Obama era, Get Out cleverly pays homage to a whole host of films from Guess Who’s Coming To Dinner (Stanley Kramer,...

The Salesman: Film Review

By Wyndham Hacket Pain The Salesman beings with what at first appears to be an earthquake. A high-rise building is at risk of collapse and those within it are escaping, fearing for their lives. The opening sequence may be an obvious visual metaphor for events to come, but brilliantly sets the tone for a film that is meticulously constructed. The plot twists with precision and brilliant calculation, so that events feel believable but never predictable. The film moves between an...

Forgotten Film Friday: Long Weekend

By Michael McNulty The office is abuzz with the conversation typical to a Friday afternoon. What are you going to do tonight? But, who needs to make plans when you’ve got a Forgotten Film Friday picked and ready for viewing? Not you, it’s time to sit back, relax and enjoy this weeks offering. Given the attitude and opinions concerning environmental policy of a certain person, who lives in a Big White House, Long Weekend feels all the more relevant today....

The Chamber: Film Review

By Linda Marric @linda_marric Tempers run high and relationships start to instantly disintegrate in Ben Parker’s claustrophobic thriller The Chamber. Set in a single location, the film offers a promising premise, but sadly falls short of bringing anything new to the horror/thriller genre. Trapped in a small submarine off the coast of North Korea, four people must find a way of getting back to the surface before it’s too late. With a small budget and even smaller cast, The Chamber...

Catfight: Film Review

By Linda Marric @linda_marric There’s one thing Catfight director Onur Tukel cannot be accused of, and that thing is lacking in originality. However you chose to read his film, one thing is for sure, this curious little production manages to pack more punches and raise more laughs than the majority of comedies being made in Hollywood right now. Divided into three main chapters, the film plays with ideas of femininity in a way that has seldom been depicted on screen...

$140 billion in bullion – Die Hard with a Vengeance makes the biggest heist in film

Could you track down and outsmart a ring of international thieves? Would you go on one last, big score to pay the bills? And most important of all, how far would you get with $140 billion in gold bullion? The new infographic from Gocompare.com Van Insurance looks at the 56 biggest heists in film since 1956. While only 41% get away with it (and a further 27% at least avoid getting caught), the total amount stolen across all the films is about...

Elle: Film Review

By Linda Marric The opening scene to Elle is perhaps one of the most shocking scenes you will encounter in recent cinema. The film opens with a brutal rape sequence which will have you ask yourself, what have I let myself in for? Directed by Paul Verhoeven and staring the always brilliant and majestic Isabelle Huppert, Elle is a story like no other. It isn’t so much a social commentary piece, but more of a perverse cautionary tale of intrigue...

A Silent Voice: Film Review

Wyndham Hacket Pain @WyndhamHP Outside of Akira, the odd Studio Ghibli production, and a couple episodes of Dragon Ball Z watched as a child I haven’t really seen much anime. Despite an almost constant supply of acclaimed Japanese animation these films have never quite seemed to have established the audience that many believe they should. A Silent Voice then stands as the next in a long line of anime films hoping to covert English speaking cinema goers to the genre. A Silent...

What We Become: DVD Review

By Leslie Byron Pitt There’s nothing worse than a film that goes through the motions. Even if a film is considered bad, it usually has something distinguishing about it. Something memorable. What We Become struggles with this for the simple fact that we’ve seen Zombie movies like this before, often with a more distinctive voice behind it. What We Become is a dime a dozen Zombie movie. One that only really stands out because it’s hard to think of another...

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