Cannes 2019 Review: The Invisible Life of Euridice Gusmao
★★★★★ Two young women – sisters – are walking in a woodland. One loses track of the other. She calls out, hoping to find her. Karim Aïnouz’s Brazilian melodrama begins with a mood of ill-ease beautifully complemented by high-contrast, soft focus, 16mm cinematography, lending the opening scene a dreamlike sense ...








