Film

Since his quirky supernatural TV show Being Human became a smash hit for BBC3 in 2008 (making stars of its leads Aiden Turner, Lenora Crichlow and Russell Tovey in the process) writer Toby Whithouse’s career has gone from strength to strength. His latest glossy six-part drama, The Game, was lauded by critics and fans alike – and he’s even being talked about as the next Doctor Who showrunner. Felicity Evans caught up with him to find out more…   The...

By Hannah Claire Pinnock, Arts Critic IRIS is an engaging and truly witty documentary showcasing the life of Iris Apfler, one of those marvelously eccentric characters that seem to be unique to the New York fashion scene. Acclaimed documentarian Albert Maysles paired up with the 93-year-old to document her remarkable creativity and exceptional life in interior design and as a fashion icon. Iris Apfler is an expressive dresser; her accessories would on anyone else seem superfluous. She manages to effortlessly...

By Emma Silverthorn @HouseOf_Gazelle Desiree Akhavan is not Lena Dunham. Yes, both are females, both hail from New York and both are filmmakers but one does not subsume the other. Why are “minorities” so often reduced in this way? Minorities in double quotes because women are over half the population after all! Yet still in the context of filmmaking females are still unfortunately counted as a minority. It’s true that comparisons are always made within the arts and fair enough,...

By Stephen Mayne @finalreel Amy Poehler is on the up. She’s already emerged as a comedy superstar in America off the back of a number of high profile gigs including Saturday Night Live, the lead role in hit sitcom Parks and Recreation, and as a highly lauded host, along with friend and fellow comedy superstar Tina Fey, of the Golden Globes. In the UK, her profile is lower, though this is not likely to remain the case for long. At...

By Stephen Mayne @finalreel At least Ruth & Alex knows its strengths, opening with a patented Morgan Freeman voiceover, before offering the gentle pleasures of Freeman and Diane Keaton hanging out together in New York. It hardly makes up for the mess on display elsewhere as a tangle of sub-plots generate an awful lot of noise without saying very much at all. Keaton and Freeman are the title’s Ruth and Alex, a happily married couple living in a beautiful New...

By Stephen Mayne @finalreel With Pixar’s quite brilliant back catalogue comes great expectation. When they’ve raised the bar and leapt over it so many times before, each new release has to approach masterpiece status just to avoid disappointment. After a fallow half decade since Toy Story 3 (2010), a period that saw two entertaining, yet bland sequels (Cars 2 & Monsters University), and a pretty good original piece (Brave), the studio has come roaring back with Inside Out, once again reaching...

By Ellery Nick @Ellery_Nick With the eyebrow-raising presence of Caitlyn Jenner in our mainstream news, it would seem a timely moment to hear the story of a transgender parent wrestling with her identity. But, away from the snapping of courageous photos and din of mass trolling, it is a work of fiction, 52 Tuesdays, that provides a refreshing and understated look at what that might actually mean. Winning a Sundance award for her directing, Sophie Hyde’s debut follows sixteen-year-old Billie,...

By Toby Venables @TobyVenables There’s a great moment in Dead Rising: Watchtower when the hero Chase attempts to dispatch a zombified cop in an trash-strewn alleyway. At one end, zombie hordes are moments away from bursting through the gates. At the other, a hideous zombie clown shuffles towards him, dragging an axe. Chase smacks the zom-cop with the first thing to hand: a bag of garbage – but it’s a poor choice of weapon. The cop draws his gun and...

Stephen Mayne interviewing Max Barron, one half of British Director Collective Jones. The sun is shining through the window on a warm July day as I sit hunched over the phone. On the other end of the line is Max Barron, half of the film making duo Jones, who have just seen their debut feature, Everyone’s Going to Die, launch in the UK to much acclaim. Refreshingly, it’s a British film that avoids feeling like a stereotypical British film. Max...