Inside Out : Film Review

By Stephen Mayne @finalreel With Pixar’s quite brilliant back catalogue comes great expectation. When they’ve raised the bar and leapt over it so many times before, each new release has to approach masterpiece status just to avoid disappointment. After a fallow half decade since Toy Story 3 (2010), a period that saw two entertaining, yet bland sequels (Cars 2 & Monsters University), and a pretty good original piece (Brave), the studio has come roaring back with Inside Out, once again reaching...

52 Tuesdays : Film Review

By Ellery Nick @Ellery_Nick With the eyebrow-raising presence of Caitlyn Jenner in our mainstream news, it would seem a timely moment to hear the story of a transgender parent wrestling with her identity. But, away from the snapping of courageous photos and din of mass trolling, it is a work of fiction, 52 Tuesdays, that provides a refreshing and understated look at what that might actually mean. Winning a Sundance award for her directing, Sophie Hyde’s debut follows sixteen-year-old Billie,...

Dead Rising: Watchtower – Film Review

By Toby Venables @TobyVenables There’s a great moment in Dead Rising: Watchtower when the hero Chase attempts to dispatch a zombified cop in an trash-strewn alleyway. At one end, zombie hordes are moments away from bursting through the gates. At the other, a hideous zombie clown shuffles towards him, dragging an axe. Chase smacks the zom-cop with the first thing to hand: a bag of garbage – but it’s a poor choice of weapon. The cop draws his gun and...

The Lowdown on British Film Making Duo ‘Jones’ creators of ‘Everyone’s Going To Die’

Stephen Mayne interviewing Max Barron, one half of British Director Collective Jones. The sun is shining through the window on a warm July day as I sit hunched over the phone. On the other end of the line is Max Barron, half of the film making duo Jones, who have just seen their debut feature, Everyone’s Going to Die, launch in the UK to much acclaim. Refreshingly, it’s a British film that avoids feeling like a stereotypical British film. Max...

Salute! Sun Yat-Sen : Film Review

By Michael McNulty For many Taiwanese director Yee Chih-Yen’s latest film since Blue Gate Crossing (2002) may go unnoticed, when it shouldn’t. A charming film with socio-economic undertones Salute! Sun Yat-Sen finds itself firmly grounded as a coming of age dramedy. When Lefty, a young man brimming with charm and a smile capable of melting ice caps, finds himself struggling to pay high school tuition fees, he concocts a plan to steal, with the help of his friends, and sell...

Ant-Man : Film Review

By Ellery Nick @Ellery_Nick Ant-Man is here, riding on the back of ants to rid the planet of those who would seek to miniaturise themselves for all the wrong reasons. And so we meet Scott Lang, a soft-hearted criminal in the mould of Edward Snowden. Released from jail, Scott comes to the attention of retired hero Dr. Hank Pym, played by Michael Douglas, who’s been watching him through his teeny bug cameras and thinks he’s got what it takes become...

The Legend of Barney Thomson : Film Review

By Stephen Mayne @finalreel If it wasn’t for the severed penis in a box, Barney Thomson’s amiable voiceover might signal the start of a relaxed jaunt through the life of a working class stiff in Glasgow. Alas, there is that severed penis in a box. And an arm, and a foot, and pretty much every other part all coming through Royal Mail delivery. I don’t know if their rules expressly forbid the posting of body parts from murder victims; if...

Pop Up Cinema: Preview

Like, day festivals and half-naked people the instant the sun comes out, surely outdoor cinema is one of the best things about a London summer. With pop-up screens now proliferating the capital from May through till September it can feel overwhelming picking a pop up. (Overwhelming in a very first world problem sense.) Pop Up Screens offer good options across the capital which are importantly at the regular cinema price of ten pounds. Screens are up in picturesque Greenwich Peninsula,...

13 Minutes : Film Review

By Stephen Mayne @finalreel 13 minutes is nothing. It’s a delay on the trains, the length of time it takes to get through adverts in the cinema, a quick walk around the block, a snoozed alarm at dawn. It’s a tiny, insignificant passage of time, the same tiny, insignificant passage of time that Georg Elser missed his target by. Just 13 minutes closer and no more Hitler. It’s impossible to know what the world might have been like had Elser...

Page 135 of 157 1 134 135 136 157
-->