Netflix is preparing to take down Pearl, the acclaimed 2022 psychological horror thriller, from its streaming library.
Set in 1918 Texas, the film follows the title character, Pearl (played by co-writer Mia Goth), a young woman with aspirations of stardom.
However, her dreams clash with the harsh reality of life on her family’s remote farm, where her domineering mother (Tandi Wright) insists she remain home to care for her ailing father (Matthew Sunderland).
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Already on the brink of madness, Pearl finds some joy in her connection to a young cinema projectionist working in the city (David Corenswet, soon-to-be Superman).
However, her claustrophobic living situation and the pressure to achieve her dreams end up placing the character on a terrifying, villainous path.
Co-written and directed by cult horror icon Ti West – and serving as a stand-alone prequel to his 2022 hit slasher X – Pearl was also a major success, earning 10 times its budget at the box office and rave reviews.
One element singled out for praise was West’s filmmaking. The horror thriller at first resembles classic Hollywood movies like The Wizard of Oz and Mary Poppins. This is before its tone gradually curdles throughout its runtime into something much more disturbing.
Goth’s central turn as the troubled lead character also earned plenty of plaudits for how she manages to alternate between being funny, terrifying and sympathetic – sometimes all in one scene.
In fact, some commenters even said that the actress should have nabbed an Oscar nomination for her performance.
Sitting on a 93% Rotten Tomatoes score, here is a sample of the positive write-ups for Pearl:
AV Club: “With Pearl, writer-director Ti West both embraces and elevates what horror movies can do, in a way that further solidifies his standing as one of the best things to ever happen to the genre.”
Chicago Reader: “West and Goth created an inventive, unique slasher genre, and a movie worth rewatching several times.”
Empire: “An American gothic shocker with a lot to say — and an awards-worthy lead performance from Mia Goth.”
The Independent (UK): “Pearl’s torment is believable largely because Goth single-handedly wills it to be. Her commitment to every choked cry for attention, to every glassy-eyed departure from reality, is unimpeachable.”
Los Angeles Times: “West, one of the genre’s true artisans of sticky dread, certainly has fun seeding a handsomely mounted and shot (by Eliot Rockett) period melodrama with the trappings of imminent violence.”
The Observer (UK): “Goth is riotously entertaining throughout, but two specific scenes, in both of which the camera rests solely on her face for an extended shot, capture the full force of her unnerving talent.”
Pearl will be taken off Netflix in the UK and Ireland next month.
A message when you search for the movie on the retail giant’s site reads: “Last day to watch on Netflix, 18 July.”