A melancholic Martin Scorsese gangster flick, The Irishman veers dangerously between introspective character study and pure self indulgence.
Christopher Marchant is an entertainment journalist with a degree in Film from Sussex University, and an MA in Newspaper Journalism from City University London. In his spare time he likes obsessing over American politics and long walks along Ruislip Lido. A collection of Christopher's works can be found at christophermarchant.wordpress.com, and he tweets at @BrianInvincible.
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