• Privacy policy
  • T&C’s
  • About Us
    • FAQ
  • Contact us
  • Guest Content
  • TLE
  • News
  • Politics
  • Opinion
    • Elevenses
  • Business
  • Food
  • Travel
  • Property
  • JOBS
  • All
    • All Entertainment
    • Film
    • Sport
    • Tech/Auto
    • Lifestyle
    • Lottery Results
      • Lotto
      • Set For Life
      • Thunderball
      • EuroMillions
No Result
View All Result
The London Economic
SUPPORT THE LONDON ECONOMIC
NEWSLETTER
The London Economic
No Result
View All Result
Home Film

Cameraperson: Film Review

By Linda Marric  @linda_marric After 25 years spent as a camerawoman on various award winning documentary features, Kirsten Johnson amassed hours upon hours of outtakes and candid moments from her trips to Bosnia, Kabul and Darfur, to name but a few places. Born out of this was a truly unique piece of filmmaking. In Cameraperson […]

Kit Power by Kit Power
2017-01-26 10:43
in Film, Film Reviews, New Movies
FacebookTwitterLinkedinEmailWhatsapp

By Linda Marric  @linda_marric

After 25 years spent as a camerawoman on various award winning documentary features, Kirsten Johnson amassed hours upon hours of outtakes and candid moments from her trips to Bosnia, Kabul and Darfur, to name but a few places. Born out of this was a truly unique piece of filmmaking. In Cameraperson Johnson offers an authentic look at some of the most touching as well as some of the most harrowing accounts witnessed by men, women and children in war zones around the world. The film also delves into Johnson’s own life and her relationship with her parents throughout the years.

Cameraperson is fantastically understated. It is a non-fiction collage of a series of vignettes telling the story of unrelated individuals. Johnson offers almost no context to the work that is being shown and there is no spoon-fed narrative here; the context and people shown are simply recognisable by the places on which the action is taking place. From the harrowing accounts of the Bosnian war and the women raped at the hands of enemy soldiers, to the Kabul teenager recounting the death of his brother in a rocket attack, the film meanders through stories of struggle and hardship without the use of any narrating device bar a few subtitles here and there. The voices we hear and the faces we see tell the stories in full, even in cases where language is limited. Johnson takes on a fly-on-the-wall position, interjecting only every so often to ask a question or to offer a suggestion.

Despite the lack of connection between her subjects, we soon start to realise that these subjects have more than just Johnson in common; their harrowing experiences may have changed them forever, but they all have one thing in common, they managed to survive and tell their own stories of rape, death and loss. From the women huddled together in a Darfur refugee camp slowly trying to cut a tree down, to the young girl seeking an abortion in an Alabama clinic, Johnson treats every single one of her interviewees with the same attention she affords her own parents especially her Alzheimer suffering mother. She prods them about taboo subjects, she asks annoying questions, and is at times moved to tears by the things they tell her.

Despite being a highly ambitious project with some truly touching moments, Cameraperson can feel a little frustrating as it lacks any discernible plot – this however doesn’t take away any of the visceral reactions it manages to provoke in its audience. Johnson does a great job in relating to her subjects, which in turn allows them to open up to her. Although not without fault, Cameraperson will move you beyond expectation.

Cameraperson is in cinemas from Friday 27th January.

RelatedPosts

Best films of the 21st century have been revealed

Netflix is about to remove one of the best thriller movies of recent years

Netflix has added one of the best thriller movies of the decade

28 Years Later review: ‘Near-perfect thriller is absolutely worth the wait’

Tags: Documentary ReviewKabul

Subscribe to our Newsletter

View our  Privacy Policy and Terms & Conditions

About Us

TheLondonEconomic.com – Open, accessible and accountable news, sport, culture and lifestyle.

Read more

SUPPORT

We do not charge or put articles behind a paywall. If you can, please show your appreciation for our free content by donating whatever you think is fair to help keep TLE growing and support real, independent, investigative journalism.

DONATE & SUPPORT

Contact

Editorial enquiries, please contact: [email protected]

Commercial enquiries, please contact: [email protected]

Address

The London Economic Newspaper Limited t/a TLE
Company number 09221879
International House,
24 Holborn Viaduct,
London EC1A 2BN,
United Kingdom

© The London Economic Newspaper Limited t/a TLE thelondoneconomic.com - All Rights Reserved. Privacy

No Result
View All Result
  • Home
  • News
  • Politics
  • Lottery Results
    • Lotto
    • Set For Life
    • Thunderball
    • EuroMillions
  • Business
  • Sport
  • Entertainment
  • Lifestyle
  • Food
  • Travel
  • JOBS
  • More…
    • Elevenses
    • Opinion
    • Property
    • Tech & Auto
  • About Us
    • Privacy policy
  • Contact us

© The London Economic Newspaper Limited t/a TLE thelondoneconomic.com - All Rights Reserved. Privacy

← Does Your eCommerce Website pass the Ten-Point Usability Test? ← Three reasons to still be wary of a Hard Brexit
No Result
View All Result
  • Home
  • News
  • Politics
  • Lottery Results
    • Lotto
    • Set For Life
    • Thunderball
    • EuroMillions
  • Business
  • Sport
  • Entertainment
  • Lifestyle
  • Food
  • Travel
  • JOBS
  • More…
    • Elevenses
    • Opinion
    • Property
    • Tech & Auto
  • About Us
    • Privacy policy
  • Contact us

© The London Economic Newspaper Limited t/a TLE thelondoneconomic.com - All Rights Reserved. Privacy

-->