Cannes 2018: Everybody Knows – First Look Review

Though unlikely to be particularly indicative of a wider critical response, it’s impossible to ignore the snorts of incredulity that echoed throughout the Debussy theatre in the Cannes Palais, following a key narrative revelation halfway through Asghar Farhadi’s occasionally compelling but frustratingly contrived festival opener, Everybody Knows. Up until that moment of weakness, Farhadi’s quasi-thriller … Continue reading Cannes 2018: Everybody Knows – First Look Review