Sam Inglis

Sam Inglis

Sam Inglis has been writing about movies for 20 years. His interests include coming of age movies, horror and exploitation cinema and literally anything featuring Jennifer Jason Leigh. He tweets at @24FPSUK, and blogs at 24fps.org.uk. He also thinks writing about himself in the third person is weird.

24 Hours of Terror

It’s Halloween soon, so a lot of movie lovers are planning horror marathons for the season. I’ve clearly gone mad, so I figured I would try to suggest the longest endurance test of them all: a 24 hour horrorthon. I’m five minutes short, but hopefully you’ll forgive that. Obviously I’d...

London Film Festival 2018: Wrap Up

Over the last month I've been covering the London Film Festival for TLE, trying largely to bring you a taste of the slightly more esoteric side of the festival. The time, sadly, has come to wrap up our coverage for this year, but there's one last thing to do: our...

London Film Festival 2018: Cam

What we mean by horror is something that expands and evolves over the years. This is perhaps especially true of tech horror. From the possibilities of electricity being harnessed to horrific and tragic ends in Frankenstein, to the modern slew of desktop thrillers, horror writers and filmmakers have always harnessed...

London Film Festival 2018: First Look Review – Angelo

It didn’t surprise anyone who saw his first film, Michael, to discover that director Markus Schleinzer used to work with Michael Haneke. Disquietingly still and at times striking, it was a debut that felt too in thrall to another filmmaker to be more than promising. Angelo, while sharing may of...

London Film Festival 2018: First Look Review – Dragged Across Concrete

With his first two films, writer/director S. Craig Zahler established a distinctive voice. Working in exploitation cinema but unbound by the genre’s usual brief running times, he has stretched out his narratives, using the extra running time to dive more deeply into his characters than is typical in exploitation and...

London Film Festival 2018: First Look Review – Rafiki

I have a longstanding policy at the London Film Festival of trying to discover films from new places, so whenever the chance comes to see something from a country whose cinema is entirely new to me, I try to take it. I believe this is my first Kenyan film, but...

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