Film Review: Colette

A long cherished project for director Wash Westmoreland and his late husband and writing partner Richard Glatzer, Colette has been over fifteen years in the planning. It’s a bit disappointing, then, to find that it’s a fairly straightforward telling of Sidonie-Gabrielle Colette’s (Keira Knightley) life during her marriage to Henry Gauthier-Villars, known both professionally and socially as Willy (Dominic West). During this time she wrote a series of Claudine novels, based on her own life but which, like the work...

Film Review: Bumblebee

I had the toys when I was growing up, but oddly I don’t have any specific memory of the Transformers TV show, the same goes for the animated film that so many fans hold close to their hearts. That being the case, when I saw Michael Bay’s first live action entry in the film series that Bumblebee forms a prequel to, I wasn’t angry, just bored. I got angry come the second and third films, not only because they were...

Film Review: Nancy

For some years now, I have been a frustrated fan of the British actress Andrea Riseborough. She’s clearly a huge talent, but one who always seemed to turn up and be the best thing in movies that were anything from disaster (Madonna’s misbegotten W/E, in which she shone against all odds) to disappointment (Panos Cosmatos’ Mandy, which underused her, meaning that the film’s revenge narrative never connected with me). Finally, Riseborough has a film that can match her. Nancy is...

The Week in Movies: November 19th – 25th 2018

Just a couple of reviews this week, both from my catch up on 2018 titles. Megan Leavey In this fact based drama, Kate Mara plays Megan Leavey, who, at 20, joins the Marines out of a sense that her life isn’t going anywhere. She ends up training as a dog handler, paired with a bomb clearing dog named Rex. Megan and Rex are injured while clearing a field of mines. In danger and with another dog unit hours away, they...

Film Review: I Think We’re Alone Now

Del (Peter Dinklage) is pretty sure he’s the last man on Earth. When we meet him there has been an unspecified catastrophe, in which it seems everyone simply collapsed and died. Del, alone, works his way around his nameless town, going house to house, cleaning up and burying the bodies he finds. One day he sees fireworks going off outside the library he used to work at and now makes his home in. This leads him to meet Grace (Elle...

Film Review: Fantastic Beasts – The Crimes of Grindelwald

The second instalment in J.K. Rowling’s five part Fantastic Beasts story sees director David Yates at the helm once again, in this well acted if ultimately lacklustre sequel to its critically acclaimed 2016 predecessor, which saw a welcome return to the magical Harry Potter universe. Set a year on from its predecessor, The Crimes Of Grindelwald opens in late 20s New York, where evil wizard Grindelwald has been languishing in an American Ministry of Magic prison, awaiting his trial. When he uses his dark arts to escape, Grindelwald makes his way...

Film Review: Suspiria [2018]

It’s important for a critic to understand and to state their bias, so I should say upfront that I love the original 1977 version of Suspiria. Dario Argento’s hallucinatory masterpiece is one of the most beautiful horror films ever made, and to my mind one of the greatest. This only became clearer with last year’s stunning 4K restoration and Blu Ray release, which made the extraordinary colours leap off the screen like never before. Given my love for the film,...

The Week in Movies: November 5th – 11th 2018

The Hate U GiveFilm is a reactive medium, but because it is expensive and time consuming to make it’s also often a slow one. The Black Lives Matter movement began in 2013 but this year we seem to have seen a glut of films that feel like they are responding to that movement and the reasons it exists. The Hate U Give, based on Angie Thomas’ 2017 novel is perhaps the most direct of these films, as it spotlights how...

Film Review: Mirai

I’m not fond of the tendency to label any interesting new anime director as ‘the next Miyazaki’. Partly this is because I’m a far bigger fan of the Studio Ghibli films by other directors but it also just strikes me as an easy crutch, and to apply it to filmmakers who are as individual in their vision and as different from each other and Miyazaki as Makoto Shinkai (Garden of Words, Your Name) and Mirai director Mamoru Hosoda doesn’t feel...

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